There's an Oldhammer project happening at the moment which is to create something from one of Tony Hough's amazing illustrations. Now a lot of his work is 40K based and therefore not for me, but having scanned the wonderful images in the Lost and the Damned, I came across one of his illustrations of a Great Unclean One, on page 12. It's certainly an illustration which I'd seen before but it's not until I have a ulterior purpose that I actually stopped and studied it properly, even more the case when I'm about to create a sculpted version of it.
Now I'm not usually one to post wip photos, but I'm particularly happy with this as it's taken a fair amount of work, thought and observation.
Part of the thought process for this type of project, is about what materials, parts, bits, models etc to use. I already owned an incomplete classic, 3rd edition Citadel GUO and I had the head of one of the more recent ones (from some old project many years ago). Now it's a head I don't usually like but I could see a resemblance to Tony Hough's drawing, both in terms of the wide shape of the head, the wide, toothy grin and the shape of the horns. Hopefully you can see that here:
To complete the scene I needed a couple of naked admirers and found these courtesy of Hasslefree miniatures. Both have had head swaps, the female heads being snipped away and a skull and a Tyrannid(?) head replacing them.
With the miniatures all gathered it was time to do some cutting and sculpting. The classic GUO legs section was far too narrow for what I had in mind, so I sawed through it, off centre in an area lacking in details, in order to space and then bulk out the gap between. I then wanted to change the pose of his left arm so made a snip at the wrist, so as to reposition it. I didn’t own a right arm and looked briefly on eBay but wasn’t willing to pay £15 for one, so decided to fully sculpt that appendage. As always Nurgle sculpting, thankfully, is quite forgiving!
The next stage was to start to put it all together, to see whether I could actually realise my intentions and keep it as close as possible to the illustration. This involved a fair amount of careful drilling and pinning to join respective parts together and to make a solid base for all the sculpting to follow. Here you can see that I chopped off the original horns and inverted them so that their shape was more reminiscent of Hough’s illustration and removed his goofy bottom jaw so the head sat more comfortably on the torso without any sign of a neck. You can also see the armature for the right hand here. I had the torso of the GUO ready to go without any changes (yet). The left leg had to be substantially repositioned, so an admirer could fit on his thigh, this created quite the gap and quite the forward step, but I figured I could reduce the space by extending the belly outwards to fill the gap.
Thus began the process of sculpting. I started off with milliput to bulk out the model and fill all the gaps (sorry no photo here, I was in a sculpting frenzy and didn’t want to stop the flow) and then green stuff for the details and texture. You can see that I’ve added a plastic tongue (from the Giant set?) and lots of postules made from dried seeds, pushed straight into the wet green stuff. At this stage I had to make a crucial decision - do I sculpt over the lovely mouth belly to maintain the Hough homage or do I keep it exposed for nostalgia sake? Obviously the former won out. Here you can also see me experimenting with the GreenstuffWorld green stuff roller to create some of the ribbed intestines protruding from his open belly.
There are lots of little details in the illustration that I wanted to include in the sculpt, so I will share those here too, as these are intrinsic to trying to capture Hough’s style of work. When an earlier wip photo was shared on the Oldhammer Facebook page, it highlighted that the illustration seems to be quite renowned for the uzi toting Nurgling that hovers in the top left corner of the picture. So I found an old spore (?) model and sculpted over it to create the Nurgling. The top hat is made from a plastic tube off cut and a circular bit of plasticard for the brim. The uzi is the nozzle from a gun off the Gaslands sprue and a snip off a cable tie:
Here you can see, in more detail, the lounging admirer. A greenstuff tongue was added as if to lick the man breast and some hair and spikes adorn her head. Her left leg also had to be snipped and repositioned at the knee to both fit on and to represent the illustration. You can also see a tendril wrapping itself around her other knee and the completed belly, sans mouth.
A close up of the head shows some tiny rolled maggots infesting his horns as well as a four legged, hairy skull creature on top. I was really pleased with the sculpting of the GUO’s head, I think I hid the goofy, quizzical look of the original sculpt and created a more sneering, malevolent look of the illustration. You can also see the sculpted bile coming from his mouth, this will be added to with some stringy UHU glue after painting.
I had to think carefully about how to create all the webs and strands of organic goo that drape off the GUO. I had a eureka moment when the vacuum cleaner got clogged with a long, thin piece of string, so used it here, soaked in pva to make it solid. I also found some tiny roots from some moss that I had in a baggie and used them to dangle from his right hand.
And from the back, not quite so much detail here, but you can see some beads squished into the milliput sculpting.
The last part was the base. Now this is me breaking my own rule (to a degree). I’ve never really appreciated display plinths, much preferring models to be properly based, but I was given this wooden one and decided to use it here. I’ve compromised by also basing the model on a round 60mm base and then magnetising both so that he can be separated from the plinth. It seems to be a sound solution...
Both bases required some added detail and interest, so I got to work with the greenstuff roller and made some more worms to scavenge around in the foreground and hit the bits box for a range of organic looking bits. In fact I delved to the very.p bottom of the box and pulled out some interesting shapes of off cuts and unwanted pieces, including bits of horn, a pouch, some sort of lip thing and bits of resin skull. On the left is part of a GW familiar, on the right a resin chap with gas mark that I was given at a meet up, sorry I can’t remember who. Obviously there is an old Nurgling at the forefront because it’s just too cool and a mistake of Tony Hough’s not to include one there!
So there we go, the model is made. I’ve just undercoated him today with a zenithal undercoat of grey and white and my intention is to monochrome him (adding a dark wash for shadows first) then with just some washes of very subtle colour, in an almost illustrative style. Hopefully my skills are up to the job, we shall see!
Absolutely amazing work!!! I think you've really captured the illustration well, very well indeed...
ReplyDeleteThere's something really off-putting about those nubile daemonic admirers :D
I haven't been keeping up with what's been going on with the Tony Hough challenge. I really wanted to take part but really not in the right head-space for hobby right now.
Really looking forward to seeing this fully painted though, so I'll be keeping an eye out.
Thank you! I think the combination of the nubile bodies and grotesque faces is pretty upsetting! I've been there before, falling in and out of love for the hobby, partly through fatigue and distraction, but it will come back I'm sure. I'm at the other end at the moment, on a crest, but realise that it won't last forever. I look forward to when you hit that good patch again.
DeletePutrefying in the best possible way, papa nurgle would be proud
ReplyDeleteI'm not sure I want his eye on me at the moment!
DeleteI cant wait to see this painted, its ridiculously good. Enjoyed the WIP photos and commentary, you captured that creepy goofiness of the GUO and those demonic attendants .. ew. Those strings remind me of dangling foliage on swamp trees in the bayou.
ReplyDeleteThank you. I did actually look at how people had modelled such bayou foliage, but it was becoming too complicated and time consuming. The old fluffy, mangled string was a perfectly quick alternative!
DeleteWicked cool!!!
ReplyDeleteThanks! Let's hope the painting goes well...
DeleteThis is preposterously good, and you've absolutely nailed the likeness. I cannot wait to see him with some paint on!
ReplyDeleteCheers Ross. You think the monochromatic approach could be successful?
DeleteI’m confident you can pull it off mate!
DeleteExcellent conversion Stuart, it's a great likeness to the illustration, and look forward to seeing it all in paint
ReplyDeleteCheers Dave. The zenithal priming looks good (I really like seeing the model unified in colour), so I'll get stuck in with some washes this evening
ReplyDeleteLoving this one, mate!!
ReplyDeleteCheers Tony, it's been a real challenge to try and recreate your inimitable style and all the accomoanying details! All the best!
DeleteIt's really amazing :O
ReplyDeleteThe whole thing is mesmerizing, but I love all the details here and there. It's unsettling and full of its own charm. I can't wait to see it painted!
Cheers Suber, I'm getting stuck into the painting as I type.
DeleteThis is remarkable !!! Great work, great inspiration... You can be proud of you !! Can't wait to see the painting !
ReplyDeleteThanks ever so much, it's been a fun project so far.
DeleteThat is an astonishing piece of work, and I can't wait to see it as it progresses. Well done!
ReplyDeleteCheers, glad you like it, I'll post some more pictures soon, the painting is going well so far...
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ReplyDeleteWOW!!!!!
ReplyDeleteThanks Riot!
DeleteMind blowing conversion mate! Going to be interesting to see what colours you go with what with the illustration being black and white?
ReplyDeleteCheers Dai. Decided to go monochrome, which is working well so far. Might put some glazes of subtle colour on at the end, we'll see.
DeleteThis is bloody unreal Stuart! Really clever sculpting and modding of the original mini.
ReplyDeleteInitially I was a little disappointed that you weren't slavishly sticking to the illo, but in hindsight I think it's better that you didn't....putting your own spin on it has made it even more unique.
Well done :)
Cheers Papafikis. Think I'd also be setting myself up to fail if I tried to copy it exactly!
DeleteYeah that's incredible. I've always been tempted to pick up a bunch of the women from Hasslefree, but have always been terrified of the potential backlash for posting them. You've truly fit them into your collection perfectly! I love the snarling face you gave him.
ReplyDeleteWhat a lovely vignette this is!
ReplyDelete